Universal at LSE AMP Society Digital Conference


Universal at LSE AMP Society Digital Conference

12/03/2012

Jennifer Fong (@jenfong)
Media & Communications, LSE SU AMP Society

Cast your mind back. Maybe 15, 18 years. 1994: Ace of Base was the best thing to come out of Sweden since Ikea and everyone was singing about seeing The Sign. It feels just like yesterday, doesn’t it?

That is, until you think about what the Internet meant in 1994.Back then, you probably didn’t have an e-mail address. Google wasn’t a verb, but a mistaken spelling of “goggle.” And Facebook? Pardon me

The Internet has grown at a phenomenal rate since it first reached the mainstream in the mid-90s. In less than two decades, the web has gone from being a newfangled tech thing to being an unconscious part of our daily lives. It’s been a rapid change that we’ve all had to adapt to, with some industries doing it better than others.

That’s why last week’s LSE SU Advertising, Marketing and PR Society annual conference was themed around “How To Survive In A Digital World” — a question some of us still struggle with.

The day-long event, which featured a series of talks from digital experts, drew hundreds of students and industry members to the London School of Economics campus.

Lectures on the impact of digital on the modern consumer journey, gamification in the social space, and what marketers can do with digital data set the stage for the evening’s much-anticipated panel debate, headlined by all the day’s speakers as well as Christian Gladwell, CEO of Human Digital, and Universal Music’s own digital strategy manager Julia Svennerstal.

Given the theme of the panel — The Future of Digital — and how the music business is arguably the one industry most impacted by the digital revolution, the AMP Society was keen to hear from Julia about her predictions on how music would evolve.

In many ways, the music industry is at a crossroads: while piracy is still a major issue, legitimate digital streaming and downloading is more popular than ever. Figuring out how to leverage the latter is Julia’s job and, as conference delegates heard, it isn’t an easy one. The LSE grad, whose CV includes a stint at Last.FM, gave the audience a peek at some of Universal’s diverse digital initiatives and what it means for all of us (who, after all, doesn’t listen to music?)

Right now, we’re in the age of Spotify, iTunes, and artists connecting directly with fans through social media like Tumblr and Twitter. The challenge, of course, is that all thiscan change in mere moments. Just think of how far we’ve come in 15 years.

Latest Tweets

  • Yes New Vibes. Sounding amazing at @RoundhouseLDN tonight. Amazing work guys http://t.co/wmqnq7sNls 1 hour 45 min ago
  • Last chance to enter! Our A&R team will be judging the entries and choosing the best 4. Applications close tomorrow: http://t.co/JDFnx69R4j 5 hours 37 min ago
  • Calling all musicians! You could win a live recording session straight to vinyl at this year's @Secret7s . More info: http://t.co/JDFnx69R4j 5 hours 41 min ago
  • RT @AlanBlumlein: What a day @AbbeyRoad celebrating the Invention of Stereo Sound Reproduction with @UMusicuk and @EMIArchiveTrust http://t… 6 hours 39 min ago
  • Blumlein was well known to climb the Alexandra Palace broadcast tower, phone his wife and ask her opinion of the TV signal as he tinkered 9 hours 34 min ago
  • RT @AlanBlumlein: He truly was an amazing man and I'm so happy to be involved in his heritage and ongoing story. http://t.co/vr8UAsyqqO 9 hours 40 min ago
  • "His influence has stayed with me and his colleges" - Simon Blumlein 9 hours 41 min ago
  • Aged just seven, Blumlein fixed the home doorbell, and invoiced his father as Alan Dower Blumlein - electrical engineer 9 hours 45 min ago
  • Blumlein's first stereo recording took place 28 years before @thebeatles mono recording of Love Me Do 9 hours 48 min ago
  • "Blumlein's work is still hugely important to the artists that record at @AbbeyRoad to this day" - Isabel Garvey 9 hours 52 min ago